A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 172
An Anthology Melvin Miller Rader. that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but ...
An Anthology Melvin Miller Rader. that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but ...
Pagina 174
... experience of thinking , premises emerge only as a conclusion becomes manifest . The experience , like that of watching a storm reach its height and gradually ... experience . The experience may be one that is 174 · ART AS VIVID EXPERIENCE.
... experience of thinking , premises emerge only as a conclusion becomes manifest . The experience , like that of watching a storm reach its height and gradually ... experience . The experience may be one that is 174 · ART AS VIVID EXPERIENCE.
Pagina 187
... experience , esthetic quality . For then its varied parts are linked to one another , and do not merely succeed one another . And the parts through their experienced linkage move toward a consummation and close , not merely to cessation ...
... experience , esthetic quality . For then its varied parts are linked to one another , and do not merely succeed one another . And the parts through their experienced linkage move toward a consummation and close , not merely to cessation ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York