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Pagina 172
that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are ...
that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are ...
Pagina 174
In fact , in an experience of thinking , premises emerge only as a conclusion becomes manifest . The experience , like that of watching a storm reach its height and gradually subside , is one of continuous movement of subject - matters ...
In fact , in an experience of thinking , premises emerge only as a conclusion becomes manifest . The experience , like that of watching a storm reach its height and gradually subside , is one of continuous movement of subject - matters ...
Pagina 187
industrial or political enterprise has , when its different ingredients constitute an integral experience ... And the parts through their experienced linkage move toward a consummation and close , not merely to cessation in time .
industrial or political enterprise has , when its different ingredients constitute an integral experience ... And the parts through their experienced linkage move toward a consummation and close , not merely to cessation in time .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |