Dall'interno del libro
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Pagina 172
that are implicated in this interaction qualify experience with emotions and ideas
so that conscious intent emerges . Oftentimes , however , the experience had is
inchoate . Things are experienced but not in such a way that they are composed
...
that are implicated in this interaction qualify experience with emotions and ideas
so that conscious intent emerges . Oftentimes , however , the experience had is
inchoate . Things are experienced but not in such a way that they are composed
...
Pagina 174
In fact , in an experience of thinking , premises emerge only as a conclusion
becomes manifest . The experience , like that of watching a storm reach its height
and gradually subside , is one of continuous movement of subject matters . Like
the ...
In fact , in an experience of thinking , premises emerge only as a conclusion
becomes manifest . The experience , like that of watching a storm reach its height
and gradually subside , is one of continuous movement of subject matters . Like
the ...
Pagina 187
industrial or political enterprise has , when its different ingredients constitute an
integral experience , esthetic quality . ... And the parts through their experienced
linkage move toward a consummation and close , not merely to cessation in time
.
industrial or political enterprise has , when its different ingredients constitute an
integral experience , esthetic quality . ... And the parts through their experienced
linkage move toward a consummation and close , not merely to cessation in time
.
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |