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Pagina xxxii
More than any other form of human experience , it combines such contrasting moments as variety and unity , familiarity and strangeness , repose and stimulation , order and spontaneity , the Appolline and the Dionysian moods .
More than any other form of human experience , it combines such contrasting moments as variety and unity , familiarity and strangeness , repose and stimulation , order and spontaneity , the Appolline and the Dionysian moods .
Pagina 172
that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are ...
that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are ...
Pagina 187
industrial or political enterprise has , when its different ingredients constitute an integral experience ... And the parts through their experienced linkage move toward a consummation and close , not merely to cessation in time .
industrial or political enterprise has , when its different ingredients constitute an integral experience ... And the parts through their experienced linkage move toward a consummation and close , not merely to cessation in time .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |