A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 172
An Anthology Melvin Miller Rader. that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but ...
An Anthology Melvin Miller Rader. that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but ...
Pagina 176
... experience ; that , on the contrary , no experience of whatever sort is a unity unless it has esthetic quality . The enemies of the esthetic are neither the practical nor the intellectual . They are the humdrum ; slackness of loose ends ...
... experience ; that , on the contrary , no experience of whatever sort is a unity unless it has esthetic quality . The enemies of the esthetic are neither the practical nor the intellectual . They are the humdrum ; slackness of loose ends ...
Pagina 187
... experience , esthetic quality . For then its varied parts are linked to one another , and do not merely succeed one another . And the parts through their experienced linkage move toward a consummation and close , not merely to cessa ...
... experience , esthetic quality . For then its varied parts are linked to one another , and do not merely succeed one another . And the parts through their experienced linkage move toward a consummation and close , not merely to cessa ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York