A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 102
... expression . " It is generally restricted to what are called verbal expressions alone . But there exist also nonverbal expressions , such as those of line , color and sound , and to all of these must be extended our affirmation , which ...
... expression . " It is generally restricted to what are called verbal expressions alone . But there exist also nonverbal expressions , such as those of line , color and sound , and to all of these must be extended our affirmation , which ...
Pagina 240
... expression is a superadded and secondary response due to the association of ideas . Arnheim opposes this theory of expression . As he explains in the following selection , expression is original and primary . In the case of the fire ...
... expression is a superadded and secondary response due to the association of ideas . Arnheim opposes this theory of expression . As he explains in the following selection , expression is original and primary . In the case of the fire ...
Pagina 265
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York