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Pagina 102
He who separates intuition from expression never succeeds in reuniting them . Intuitive activity possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is partly because , as a ...
He who separates intuition from expression never succeeds in reuniting them . Intuitive activity possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is partly because , as a ...
Pagina 240
In consequence of all this , you not only see colors and shapes in motion , but are also struck by the expression of something frightening , violent , passionate . ” 4 In other words , you perceive only sensory data such as color ...
In consequence of all this , you not only see colors and shapes in motion , but are also struck by the expression of something frightening , violent , passionate . ” 4 In other words , you perceive only sensory data such as color ...
Pagina 265
But in such circumstances we clearly go beyond what is apparent in the perception of expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image .
But in such circumstances we clearly go beyond what is apparent in the perception of expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |