A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 102
... expression . " It is generally restricted to what are called verbal expressions alone . But there exist also non- verbal expressions , such as those of line , color and sound , and to all of these must be extended our affirmation ...
... expression . " It is generally restricted to what are called verbal expressions alone . But there exist also non- verbal expressions , such as those of line , color and sound , and to all of these must be extended our affirmation ...
Pagina 240
... expression is a superadded and secondary response due to the association of ideas . Arnheim opposes this theory of expression . As he explains in the following selection , expression is original and primary . In the case of the fire ...
... expression is a superadded and secondary response due to the association of ideas . Arnheim opposes this theory of expression . As he explains in the following selection , expression is original and primary . In the case of the fire ...
Pagina 265
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden “ behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden “ behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York