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Risultati 1-3 di 88
Pagina 102
forming , expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive activity possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is ...
forming , expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive activity possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is ...
Pagina 240
In consequence of all this , you not only see colors and shapes in motion , but are also struck by the expression of something frightening , violent , passionate . ” 4 In other words , you perceive only sensory data such as color ...
In consequence of all this , you not only see colors and shapes in motion , but are also struck by the expression of something frightening , violent , passionate . ” 4 In other words , you perceive only sensory data such as color ...
Pagina 265
But in such circumstances we clearly go beyond what is apparent in the perception of expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image .
But in such circumstances we clearly go beyond what is apparent in the perception of expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York