Dall'interno del libro
Risultati 1-3 di 86
Pagina 102
forming , expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive activity possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is ...
forming , expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive activity possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is ...
Pagina 262
And since such visual qualities as speed , shape , or direction are immediately accessible to the eye , it seems legitimate to assume that they are the carriers of an expression directly comprehensible to the eye .
And since such visual qualities as speed , shape , or direction are immediately accessible to the eye , it seems legitimate to assume that they are the carriers of an expression directly comprehensible to the eye .
Pagina 263
And the perceived impact of forces makes for what we call expression . If expression is the primary content of vision in daily life , the same should be all the more true for the way the artist looks at the world .
And the perceived impact of forces makes for what we call expression . If expression is the primary content of vision in daily life , the same should be all the more true for the way the artist looks at the world .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |