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Pagina 19
only as possessed by mind , but whereas in them mind and the external still sit loosely to each other , and in the one case the mind contemplates an external reality which owes to the mind its truth but not its reality , and in the ...
only as possessed by mind , but whereas in them mind and the external still sit loosely to each other , and in the one case the mind contemplates an external reality which owes to the mind its truth but not its reality , and in the ...
Pagina 155
In introversion for scientific phantasy it is true that we turn away from immediate environment , yet none the less we turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
In introversion for scientific phantasy it is true that we turn away from immediate environment , yet none the less we turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
Pagina 165
So poetry enriches external reality for us . The affective associations used by poetry are of many forms . Sometimes they are sound associations , and then we call the line " musical " -not that the language is specially harmonious ...
So poetry enriches external reality for us . The affective associations used by poetry are of many forms . Sometimes they are sound associations , and then we call the line " musical " -not that the language is specially harmonious ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York