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Pagina xix
tion : we find it present in the most angelic instinct " love " ; we find it as the great stimulus to life — thus art is sublimely utilitarian , even in the fact that it lies . . . . But we should be wrong to halt at its power to lie ...
tion : we find it present in the most angelic instinct " love " ; we find it as the great stimulus to life — thus art is sublimely utilitarian , even in the fact that it lies . . . . But we should be wrong to halt at its power to lie ...
Pagina 107
So we have a reality consisting of permanent and highly obstinate facts , and permanent and highly obstinate human nature . ... Men have in fact obtained more power over matter , but to change it is impossible .
So we have a reality consisting of permanent and highly obstinate facts , and permanent and highly obstinate human nature . ... Men have in fact obtained more power over matter , but to change it is impossible .
Pagina 414
Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for the ...
Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |