A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina xix
... fact that it lies . . . . But we should be wrong to halt at its power to lie : it does more than merely imagine ; it actually transposes values . And it not only transposes the feeling for values : the lover actually has a greater value ...
... fact that it lies . . . . But we should be wrong to halt at its power to lie : it does more than merely imagine ; it actually transposes values . And it not only transposes the feeling for values : the lover actually has a greater value ...
Pagina 107
... facts , and permanent and highly obstinate human nature . And human nature is always in conflict with material facts , although men are themselves most curious combinations of fact and feeling , and actually require the machinery of ...
... facts , and permanent and highly obstinate human nature . And human nature is always in conflict with material facts , although men are themselves most curious combinations of fact and feeling , and actually require the machinery of ...
Pagina 414
... fact is for the woman , pierced by sorrow , and for the painter who contemplatively gazes at the scene , is so great that perhaps it would be more exact to say the wife and the painter witness two facts entirely different . It happens ...
... fact is for the woman , pierced by sorrow , and for the painter who contemplatively gazes at the scene , is so great that perhaps it would be more exact to say the wife and the painter witness two facts entirely different . It happens ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York