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Pagina xix
tion : we find it present in the most angelic instinct " love " ; we find it as the great stimulus to life — thus art is sublimely utilitarian , even in the fact that it lies . . . . But we should be wrong to halt at its power to lie ...
tion : we find it present in the most angelic instinct " love " ; we find it as the great stimulus to life — thus art is sublimely utilitarian , even in the fact that it lies . . . . But we should be wrong to halt at its power to lie ...
Pagina 107
So we have a reality consisting of permanent and highly obstinate facts , and permanent and highly obstinate human nature . ... Men have in fact obtained more power over matter , but to change it is impossible .
So we have a reality consisting of permanent and highly obstinate facts , and permanent and highly obstinate human nature . ... Men have in fact obtained more power over matter , but to change it is impossible .
Pagina 414
Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for the ...
Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |