A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 64
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
Pagina 65
... feeling of quietness transmitted by an evening landscape or by a lullaby , or the feeling of admiration evoked by a beautiful arabesque - it is all art . If only the spectators or auditors are infected by the feelings which the au- thor ...
... feeling of quietness transmitted by an evening landscape or by a lullaby , or the feeling of admiration evoked by a beautiful arabesque - it is all art . If only the spectators or auditors are infected by the feelings which the au- thor ...
Pagina 67
... feeling for art is neither perverted nor atrophied , and it clearly distinguishes the feeling produced by art from all other feelings . The chief peculiarity of this feeling is that the recipient of a truly artistic impression is so ...
... feeling for art is neither perverted nor atrophied , and it clearly distinguishes the feeling produced by art from all other feelings . The chief peculiarity of this feeling is that the recipient of a truly artistic impression is so ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York