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Pagina 64
And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ... by his appearance or by the sounds he gives vent to at the very time he experiences the feeling ; if he causes ...
And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ... by his appearance or by the sounds he gives vent to at the very time he experiences the feeling ; if he causes ...
Pagina 65
had felt , he invented an encounter with a wolf and recounted it so as to make his hearers share the feelings he experienced ... the feeling of quietness transmitted by an evening landscape or by a lullaby , or the feeling of admiration ...
had felt , he invented an encounter with a wolf and recounted it so as to make his hearers share the feelings he experienced ... the feeling of quietness transmitted by an evening landscape or by a lullaby , or the feeling of admiration ...
Pagina 67
The chief peculiarity of this feeling is that the recipient of a truly artistic impression is so united to the artist that he feels as if the work were his own and not some one else's - as if what it expresses were just what he had long ...
The chief peculiarity of this feeling is that the recipient of a truly artistic impression is so united to the artist that he feels as if the work were his own and not some one else's - as if what it expresses were just what he had long ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |