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Pagina 215
It does not , of course , follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imaginative ...
It does not , of course , follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imaginative ...
Pagina 472
then you can give him some assistance perhaps as to what materials to follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the ...
then you can give him some assistance perhaps as to what materials to follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the ...
Pagina 475
This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the ... and construct a whole that did not actually exist before , while a spectator may follow the guidance of the artist .
This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the ... and construct a whole that did not actually exist before , while a spectator may follow the guidance of the artist .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |