A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 215
... follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an “ imaginative writer " than of an " imagina- tive painter " or an ...
... follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an “ imaginative writer " than of an " imagina- tive painter " or an ...
Pagina 472
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the spectator or the artist is weak . It is a question that an honest ...
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the spectator or the artist is weak . It is a question that an honest ...
Pagina 475
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most ... follow the guidance of the artist . The artist creates , the spectator re - creates . Now the way criticism comes in ...
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most ... follow the guidance of the artist . The artist creates , the spectator re - creates . Now the way criticism comes in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York