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Pagina 215
It does not , of course , follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imaginative ...
It does not , of course , follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imaginative ...
Pagina 472
then you can give him some assistance perhaps as to what materials to follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the ...
then you can give him some assistance perhaps as to what materials to follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an artist what he was trying to do , either the ...
Pagina 475
This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the ... and construct a whole that did not actually exist before , while a spectator may follow the guidance of the artist .
This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the ... and construct a whole that did not actually exist before , while a spectator may follow the guidance of the artist .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |