A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 472
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an ... follows their guidance . The organicist's view of artistic creation is thus part of his conception of the ...
... follow through and as to where he failed to answer demands of his materials and the like . When it is necessary to ask an ... follows their guidance . The organicist's view of artistic creation is thus part of his conception of the ...
Pagina 475
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to esthetic theory . The idea is that the critic re - creates in the process of ...
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to esthetic theory . The idea is that the critic re - creates in the process of ...
Pagina 476
... follows this method will un- doubtedly begin spontaneously to check up his own imaginative reconstruction of the work . He will look for confirmations of his feeling expectations in other parts of his work , or for other expectations ...
... follows this method will un- doubtedly begin spontaneously to check up his own imaginative reconstruction of the work . He will look for confirmations of his feeling expectations in other parts of his work , or for other expectations ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York