A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 152
... force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can come of it . In this way the creative force can drain the human impulses to such a degree that the personal ego must ...
... force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can come of it . In this way the creative force can drain the human impulses to such a degree that the personal ego must ...
Pagina 388
... force from which that highest abstract beauty springs . Not that primitive man sought more strenuously for regularity in nature or felt regularity more strongly in it , quite the contrary : because he stands so lost and spiritually ...
... force from which that highest abstract beauty springs . Not that primitive man sought more strenuously for regularity in nature or felt regularity more strongly in it , quite the contrary : because he stands so lost and spiritually ...
Pagina 401
... force of a direct practical appeal -as the invectives of many satires or comedies - which seem to us nowadays irreconcilable with their esthetic claims . Such works have consequently profited greatly by lapse of time and have reached ...
... force of a direct practical appeal -as the invectives of many satires or comedies - which seem to us nowadays irreconcilable with their esthetic claims . Such works have consequently profited greatly by lapse of time and have reached ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York