A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 233
... formal structure lies within concrete content . In fact the distinction of form from matter or of structure from content is entirely relative . We never have the one without the other in actuality . They are both abstractions . And just ...
... formal structure lies within concrete content . In fact the distinction of form from matter or of structure from content is entirely relative . We never have the one without the other in actuality . They are both abstractions . And just ...
Pagina 306
... formal design or scheme is impressed on our minds , and anything which departed vio- lently from that would be not merely meaningless , but an outrage to our sense of order and proportion . We have then an immediate recognition of formal ...
... formal design or scheme is impressed on our minds , and anything which departed vio- lently from that would be not merely meaningless , but an outrage to our sense of order and proportion . We have then an immediate recognition of formal ...
Pagina 332
... formal features of the verse . A person may equally recognize a piece of music as by Bach or Beethoven or Wagner by its rhythmic , melodic , or harmonic structure . The characteristic form traits that artists impart to their diverse ...
... formal features of the verse . A person may equally recognize a piece of music as by Bach or Beethoven or Wagner by its rhythmic , melodic , or harmonic structure . The characteristic form traits that artists impart to their diverse ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York