A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 100
... function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function which gives us knowledge of things in their concreteness and individuality ...
... function is attributed to it , not spatializing nor temporalizing , but characterizing ? Or rather , when it is conceived as itself a category or function which gives us knowledge of things in their concreteness and individuality ...
Pagina 249
An Anthology Melvin Miller Rader. the function of sound in prose composition ? What is the function of sound in drama ? " The answers may be quite heterogeneous ; and that is itself an important fact , a guide to something more than a ...
An Anthology Melvin Miller Rader. the function of sound in prose composition ? What is the function of sound in drama ? " The answers may be quite heterogeneous ; and that is itself an important fact , a guide to something more than a ...
Pagina 528
... Function- alist Theory , New York , 1957 . Geddes , Patrick , Cities in Evolution , London , 1915 ( a source of Mumford's theory of technological phases ) . Giedion , Siegfried , Architecture , You and Me , Cambridge , Mass . , 1958 ...
... Function- alist Theory , New York , 1957 . Geddes , Patrick , Cities in Evolution , London , 1915 ( a source of Mumford's theory of technological phases ) . Giedion , Siegfried , Architecture , You and Me , Cambridge , Mass . , 1958 ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York