A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 130
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
Pagina 196
... give it an indirect relationship to other things we call the same name . And we extend our concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside in the fact that some one ...
... give it an indirect relationship to other things we call the same name . And we extend our concept of number as in spinning a thread we twist fibre on fibre . And the strength of the thread does not reside in the fact that some one ...
Pagina 439
... give us repose in the object ; to make the object beautiful - are only four different expressions of the same fact . One aspect more ought to be emphasized at once . Science is connection , but not every connection is science ; art is ...
... give us repose in the object ; to make the object beautiful - are only four different expressions of the same fact . One aspect more ought to be emphasized at once . Science is connection , but not every connection is science ; art is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York