Dall'interno del libro
Risultati 1-3 di 85
Pagina 130
The unreality of this poetical world of imagination , however , has very important consequences for literary technique ; for many things which if they happened in real life could produce no pleasure can nevertheless give enjoyment in ...
The unreality of this poetical world of imagination , however , has very important consequences for literary technique ; for many things which if they happened in real life could produce no pleasure can nevertheless give enjoyment in ...
Pagina 439
And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the object beautiful - are only four different ...
And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the object beautiful - are only four different ...
Pagina 453
Though some objects , by the structure of the mind , be naturally calculated to give pleasure , it is not to be expected , that in every individual the pleasure will be equally felt . Particular incidents and situations occur , which ...
Though some objects , by the structure of the mind , be naturally calculated to give pleasure , it is not to be expected , that in every individual the pleasure will be equally felt . Particular incidents and situations occur , which ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York