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Pagina 130
The unreality of this poetical world of imagination , however , has very important consequences for literary technique ; for many things which if they happened in real life could produce no pleasure can nevertheless give enjoyment in ...
The unreality of this poetical world of imagination , however , has very important consequences for literary technique ; for many things which if they happened in real life could produce no pleasure can nevertheless give enjoyment in ...
Pagina 439
And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the object beautiful - are only four different ...
And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the object beautiful - are only four different ...
Pagina 453
Though some objects , by the structure of the mind , be naturally calculated to give pleasure , it is not to be expected , that in every individual the pleasure will be equally felt . Particular incidents and situations occur , which ...
Though some objects , by the structure of the mind , be naturally calculated to give pleasure , it is not to be expected , that in every individual the pleasure will be equally felt . Particular incidents and situations occur , which ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York