A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 130
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
Pagina 439
... give us repose in the object ; to make the object beautiful - are only four different expressions of the same fact . One aspect more ought to be emphasized at once . Science is connection , but not every connection is science ; art is ...
... give us repose in the object ; to make the object beautiful - are only four different expressions of the same fact . One aspect more ought to be emphasized at once . Science is connection , but not every connection is science ; art is ...
Pagina 453
... give pleasure , it is not to be expected , that in every individual the pleasure will be equally felt . Particular incidents and situations occur , which either throw a false light on the objects , or hinder the true from conveying to ...
... give pleasure , it is not to be expected , that in every individual the pleasure will be equally felt . Particular incidents and situations occur , which either throw a false light on the objects , or hinder the true from conveying to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York