A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 183
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
Pagina 389
... hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
... hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
Pagina 439
... hand holds our mind to the object itself , its way leads nowhere and its frame ends its world . And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the ...
... hand holds our mind to the object itself , its way leads nowhere and its frame ends its world . And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York