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Pagina 183
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
Pagina 389
A decisive consequence of such an artistic purpose was on the one hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form .
A decisive consequence of such an artistic purpose was on the one hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form .
Pagina 419
On the other hand , when the horizon becomes fixed as in a shell it is because we come into the fold of senility . It is not so evident as the academicians suppose that the work of art should perforce consist of a human nucleus whose ...
On the other hand , when the horizon becomes fixed as in a shell it is because we come into the fold of senility . It is not so evident as the academicians suppose that the work of art should perforce consist of a human nucleus whose ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |