A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 183
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
Pagina 389
... hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
... hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
Pagina 439
... hand holds our mind to the object itself , its way leads nowhere and its frame ends its world . And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the ...
... hand holds our mind to the object itself , its way leads nowhere and its frame ends its world . And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York