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Pagina 183
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
Pagina 389
A decisive consequence of such an artistic purpose was on the one hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form .
A decisive consequence of such an artistic purpose was on the one hand the approximation to flat representation , and on the other hand strict suppression of the representation of space and exclusive rendering of the individual form .
Pagina 439
Morality , on the other hand , is over - individual , and claims you ought to follow it even to your personal disadvantage . This " ought " which morality attaches to human actions , logic attaches to the scientific connections of ...
Morality , on the other hand , is over - individual , and claims you ought to follow it even to your personal disadvantage . This " ought " which morality attaches to human actions , logic attaches to the scientific connections of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York