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Pagina 131
The adult , on the other hand , is ashamed of his daydreams and conceals them from other people ; he cherishes them as his most intimate possessions and as a rule he would rather confess all his misdeeds than tell his daydreams .
The adult , on the other hand , is ashamed of his daydreams and conceals them from other people ; he cherishes them as his most intimate possessions and as a rule he would rather confess all his misdeeds than tell his daydreams .
Pagina 183
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
Pagina 376
On the other hand it may be pointed out that after all , in esthetic enjoyment , this sense of value is objectified . In contemplating the strong , proud , free human form standing before me I do not feel strong , proud and free as such ...
On the other hand it may be pointed out that after all , in esthetic enjoyment , this sense of value is objectified . In contemplating the strong , proud , free human form standing before me I do not feel strong , proud and free as such ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |