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Pagina 242
There also exists today an instrument - the theory of signs - which may prove of great power in meeting the recurrent demands for insight into the essentials of human culture.1 §2 The utilization of the theory of signs for an approach ...
There also exists today an instrument - the theory of signs - which may prove of great power in meeting the recurrent demands for insight into the essentials of human culture.1 §2 The utilization of the theory of signs for an approach ...
Pagina 265
In some ways they serve him even better , for the human body is a particularly complex pattern , not easily reduced to the simplicity of shape and motion that transmits compelling expression . Also it is overloaded with nonvisual ...
In some ways they serve him even better , for the human body is a particularly complex pattern , not easily reduced to the simplicity of shape and motion that transmits compelling expression . Also it is overloaded with nonvisual ...
Pagina 418
One may say that such a result could be more simply obtained by putting aside totally those human forms - man , house , mountain - and building figures . completely original . But this is in the first place impractical .
One may say that such a result could be more simply obtained by putting aside totally those human forms - man , house , mountain - and building figures . completely original . But this is in the first place impractical .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York