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Pagina 242
There also exists today an instrument - the theory of signs - which may prove of great power in meeting the recurrent demands for insight into the essentials of human culture . 1 § 2 The utilization of the theory of signs for an ...
There also exists today an instrument - the theory of signs - which may prove of great power in meeting the recurrent demands for insight into the essentials of human culture . 1 § 2 The utilization of the theory of signs for an ...
Pagina 417
Soon we notice that the artist of 1860 has tried first of all to give the objects in his picture the same air and aspect that they have outside of it when they form a part of the " lived ” or human reality .
Soon we notice that the artist of 1860 has tried first of all to give the objects in his picture the same air and aspect that they have outside of it when they form a part of the " lived ” or human reality .
Pagina 418
One may say that such a result could be more simply obtained by putting aside totally those human forms - man , house , mountain - and building figures completely original . But this is in the first place impractical .
One may say that such a result could be more simply obtained by putting aside totally those human forms - man , house , mountain - and building figures completely original . But this is in the first place impractical .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |