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Pagina 163
It is the imagery or the " ideas . " In a paraphrase the latent content , that is , the emotional content , has almost entirely vanished . It was contained , then , not in the external reality symbolized by the words ( for this has been ...
It is the imagery or the " ideas . " In a paraphrase the latent content , that is , the emotional content , has almost entirely vanished . It was contained , then , not in the external reality symbolized by the words ( for this has been ...
Pagina 173
Thinking goes on in trains of ideas , but the ideas form a train only because they are much more than what an analytic psychology calls ideas . They are phases , emotionally and practically distinguished , of a developing underlying ...
Thinking goes on in trains of ideas , but the ideas form a train only because they are much more than what an analytic psychology calls ideas . They are phases , emotionally and practically distinguished , of a developing underlying ...
Pagina 283
Intellectual belief more resembles a weighting of an idea than anything else , a loading which makes other , less heavily weighted , ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quantity ...
Intellectual belief more resembles a weighting of an idea than anything else , a loading which makes other , less heavily weighted , ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quantity ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |