Dall'interno del libro
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Pagina 283
two forms of disbelief . Intellectual belief more resembles a weighting of an idea
than anything else , a loading 4 which makes other , less heavily weighted , ideas
, adjust themselves to it rather than vice versa . The loading may be legitimate ...
two forms of disbelief . Intellectual belief more resembles a weighting of an idea
than anything else , a loading 4 which makes other , less heavily weighted , ideas
, adjust themselves to it rather than vice versa . The loading may be legitimate ...
Pagina 284
Now the central , most stable , mass of our ideas has already an order and
arrangement fixed for it by the facts of Nature . We must bring our ideas of these
facts into correspondence with them or we promptly perish . And this order
among the ...
Now the central , most stable , mass of our ideas has already an order and
arrangement fixed for it by the facts of Nature . We must bring our ideas of these
facts into correspondence with them or we promptly perish . And this order
among the ...
Pagina 285
The intellectual exploration of the internal coherence of the poem , and the
intellectual examination of the relations of its ideas to other ideas of ordinary
experience which are emotionally relevant to it , are not only permissible but
necessary in ...
The intellectual exploration of the internal coherence of the poem , and the
intellectual examination of the relations of its ideas to other ideas of ordinary
experience which are emotionally relevant to it , are not only permissible but
necessary in ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |