A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 5
... Illusion in Play and Art In play as well as in art illusion is involved . There are certain widespread forms of play which can only be called illusion play . We have repeatedly pointed out that a certain kind of illusion is intermixed ...
... Illusion in Play and Art In play as well as in art illusion is involved . There are certain widespread forms of play which can only be called illusion play . We have repeatedly pointed out that a certain kind of illusion is intermixed ...
Pagina 10
... illusion is a very strong one , and small children in beholding them surrender to a real illusion , for example , when they fear the devil . But as they grow older fear disappears and esthetic enjoyment takes its place . Closely allied ...
... illusion is a very strong one , and small children in beholding them surrender to a real illusion , for example , when they fear the devil . But as they grow older fear disappears and esthetic enjoyment takes its place . Closely allied ...
Pagina 14
... illusion games so far discussed we can no longer doubt that they are of the same essential nature as art ; they are preliminary stages of esthetic activity . There is not a single characteristic of art which does not apply to the illusion ...
... illusion games so far discussed we can no longer doubt that they are of the same essential nature as art ; they are preliminary stages of esthetic activity . There is not a single characteristic of art which does not apply to the illusion ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York