A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 5
... Illusion in Play and Art In play as well as in art illusion is involved . There are certain wide- spread forms of play which can only be called illusion play . We have repeatedly pointed out that a certain kind of illusion is intermixed ...
... Illusion in Play and Art In play as well as in art illusion is involved . There are certain wide- spread forms of play which can only be called illusion play . We have repeatedly pointed out that a certain kind of illusion is intermixed ...
Pagina 12
... illusion - disturbing factors , to produce a real illusion . I mean the so- called movable picture books , in which individual figures or parts of the body may be put in motion by pulling something ; or through which a whole picture is ...
... illusion - disturbing factors , to produce a real illusion . I mean the so- called movable picture books , in which individual figures or parts of the body may be put in motion by pulling something ; or through which a whole picture is ...
Pagina 14
... illusion games so far discussed we can no longer doubt that they are of the same essential nature as art ; they are preliminary stages of esthetic activity . There is not a single characteristic of art which does not apply to the illusion ...
... illusion games so far discussed we can no longer doubt that they are of the same essential nature as art ; they are preliminary stages of esthetic activity . There is not a single characteristic of art which does not apply to the illusion ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York