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Pagina 214
MARGARET MACDONALD The Work of Art as Physical The notion of
Imagination enters differently into different esthetic ( and critical ) theories
according to other notions with which it is contrasted . Moreover , some of these
differences ...
MARGARET MACDONALD The Work of Art as Physical The notion of
Imagination enters differently into different esthetic ( and critical ) theories
according to other notions with which it is contrasted . Moreover , some of these
differences ...
Pagina 223
His fascinated imagination lives in the powers of his medium ; he thinks and feels
in terms of it ; it is the peculiar body of ... the whole distinctive worlds of
imaginative thought and feeling , in which the great imaginative arts have their
life and ...
His fascinated imagination lives in the powers of his medium ; he thinks and feels
in terms of it ; it is the peculiar body of ... the whole distinctive worlds of
imaginative thought and feeling , in which the great imaginative arts have their
life and ...
Pagina 510
ford , 1907 Illusion , Imagination , and Creativity Alexander , Samuel , Beauty and
Other Koffka , Kurt , " Problems in the PsycholForms of Value , London , 1933 , Ch
. 4 . ogy of Art , ” Art : A Symposium , Bryn Anderson , Harold H. , Creativity and ...
ford , 1907 Illusion , Imagination , and Creativity Alexander , Samuel , Beauty and
Other Koffka , Kurt , " Problems in the PsycholForms of Value , London , 1933 , Ch
. 4 . ogy of Art , ” Art : A Symposium , Bryn Anderson , Harold H. , Creativity and ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York