A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 94
... imagination ( the extra - artistic faculty ) .1 To amass , select , cut up , combine images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is sterile , adapted to extrinsic ...
... imagination ( the extra - artistic faculty ) .1 To amass , select , cut up , combine images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is sterile , adapted to extrinsic ...
Pagina 214
... imagination , " " imagine , " and their cognates . I am not at present prepared to say that these differences themselves represent differ- ent uses of such words . But certainly some theories about art and imagination are more ...
... imagination , " " imagine , " and their cognates . I am not at present prepared to say that these differences themselves represent differ- ent uses of such words . But certainly some theories about art and imagination are more ...
Pagina 311
... imagination ; while the other offers some- thing which satisfies imagination but has not full " reality . " They are parallel developments which nowhere meet , or , if I may use loosely a word which will be serviceable later , they are ...
... imagination ; while the other offers some- thing which satisfies imagination but has not full " reality . " They are parallel developments which nowhere meet , or , if I may use loosely a word which will be serviceable later , they are ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York