A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 94
... imagination ( the extra - artistic faculty ) . To amass , select , cut up , combine images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is sterile , adapted to extrinsic ...
... imagination ( the extra - artistic faculty ) . To amass , select , cut up , combine images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is sterile , adapted to extrinsic ...
Pagina 223
... imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life , as the outcome and expression of his ...
... imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life , as the outcome and expression of his ...
Pagina 311
... imagination ; while the other offers some- thing which satisfies imagination but has not full “ reality . " They are parallel developments which nowhere meet , or , if I may use loosely a word which will be serviceable later , they are ...
... imagination ; while the other offers some- thing which satisfies imagination but has not full “ reality . " They are parallel developments which nowhere meet , or , if I may use loosely a word which will be serviceable later , they are ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York