Dall'interno del libro
Risultati 1-3 di 73
Pagina 32
Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Pagina 378
I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of overcoming , the joy of succeeding . I feel all this actually . I do not merely imagine things of this sort .
I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of overcoming , the joy of succeeding . I feel all this actually . I do not merely imagine things of this sort .
Pagina 379
This is esthetic imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense .
This is esthetic imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |