A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina 32
... imitation as a reproduction of the real , or the fidelity of the representation . Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates ...
... imitation as a reproduction of the real , or the fidelity of the representation . Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates ...
Pagina 378
... imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride ... imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will ...
... imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride ... imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will ...
Pagina 379
... imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense . In voluntary imitation I see ...
... imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense . In voluntary imitation I see ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York