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Pagina 32
Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Pagina 378
I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of overcoming , the joy of succeeding . I feel all this actually . I do not merely imagine things of this sort .
I imitate the movements . In doing so I feel active . I feel the effort , the resistance to obstacles , the act of overcoming , the joy of succeeding . I feel all this actually . I do not merely imagine things of this sort .
Pagina 379
This is esthetic imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense .
This is esthetic imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |