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Pagina 32
Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Imitation as reproduction or representation of the real - in other words , imitation materially considered — is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Pagina 486
APPENDIX Aristotle From THE POETICS ( Translated by S. H. Butcher ) I [ " Imitation ” the common principle of the arts of poetry , music , dancing , painting , and sculpture . These arts distinguished according to the medium or material ...
APPENDIX Aristotle From THE POETICS ( Translated by S. H. Butcher ) I [ " Imitation ” the common principle of the arts of poetry , music , dancing , painting , and sculpture . These arts distinguished according to the medium or material ...
Pagina 487
For there is no common term we could apply to the mimes of Sophron and Xenarchus and the Socratic dialogues on the one hand ; and , on the other , to poetic imitations in iambic , elegiac , or any similar meter .
For there is no common term we could apply to the mimes of Sophron and Xenarchus and the Socratic dialogues on the one hand ; and , on the other , to poetic imitations in iambic , elegiac , or any similar meter .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York