A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 66
... important as the activity of speech itself and as generally diffused . As speech does not act on us only in sermons ... importance . . . . There is one indubitable sign distinguishing real art from its counterfeit— namely , the ...
... important as the activity of speech itself and as generally diffused . As speech does not act on us only in sermons ... importance . . . . There is one indubitable sign distinguishing real art from its counterfeit— namely , the ...
Pagina 106
... important , that is true . " It's no good if he says , " I suppose that is true , but I've heard it before . " In that case Conrad has failed , at least with that reader . For his object was to give the reader the same discovery , to ...
... important , that is true . " It's no good if he says , " I suppose that is true , but I've heard it before . " In that case Conrad has failed , at least with that reader . For his object was to give the reader the same discovery , to ...
Pagina 212
... important for the same reason . This point of view is implied by Croce in his identification of intuition and ... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he believes that ...
... important for the same reason . This point of view is implied by Croce in his identification of intuition and ... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he believes that ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York