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Pagina 66
And therefore the activity of art is a most important one , as important as the activity of speech itself and as generally diffused . As speech does not act on us only in sermons , orations , or books , but in all those remarks by which ...
And therefore the activity of art is a most important one , as important as the activity of speech itself and as generally diffused . As speech does not act on us only in sermons , orations , or books , but in all those remarks by which ...
Pagina 106
All these details , as with the painter , had to enforce the impression , the feeling that he wanted to convey . The reader had to feel , at the end of the tale , " That is important , that is ...
All these details , as with the painter , had to enforce the impression , the feeling that he wanted to convey . The reader had to feel , at the end of the tale , " That is important , that is ...
Pagina 212
The physical object is esthetically important only because it stimulates imagination , and the object in nature is important for the same reason . This point of view is implied by Croce in his identification of intuition and expression ...
The physical object is esthetically important only because it stimulates imagination , and the object in nature is important for the same reason . This point of view is implied by Croce in his identification of intuition and expression ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York