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Pagina 66
And therefore the activity of art is a most important one , as important as the
activity of speech itself and as generally diffused . As speech does not act on us
only in sermons , orations , or books , but in all those remarks by which we
interchange ...
And therefore the activity of art is a most important one , as important as the
activity of speech itself and as generally diffused . As speech does not act on us
only in sermons , orations , or books , but in all those remarks by which we
interchange ...
Pagina 106
For that he had to invent characters , descriptions , a plot . All these details , as
with the painter , had to enforce the impression , the feeling that he wanted to
convey . The reader had to feel , at the end of the tale , “ That is important , that is
...
For that he had to invent characters , descriptions , a plot . All these details , as
with the painter , had to enforce the impression , the feeling that he wanted to
convey . The reader had to feel , at the end of the tale , “ That is important , that is
...
Pagina 506
Most important of all was Immanuel Kant , The Critique of Judgment ( First Part ) ,
a difficult book that repays very careful study . Strongly influenced by Kant but
important in its own right was Friedrich Schiller , Letters on the Aesthetic
Education ...
Most important of all was Immanuel Kant , The Critique of Judgment ( First Part ) ,
a difficult book that repays very careful study . Strongly influenced by Kant but
important in its own right was Friedrich Schiller , Letters on the Aesthetic
Education ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |