A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 390
... impulse of self - privation is much greater and more consistent . Here it is characterized , not as in the case of the need for empathy as a tendency to part with one's separate individuality , but as a tendency , in the contemplation ...
... impulse of self - privation is much greater and more consistent . Here it is characterized , not as in the case of the need for empathy as a tendency to part with one's separate individuality , but as a tendency , in the contemplation ...
Pagina 444
... impulses , it is plain , as usually excited , are naturally harmonious , for conflict is possible and common . A complete sys- tematization must take the form of such an adjustment as will preserve free play to every impulse , with ...
... impulses , it is plain , as usually excited , are naturally harmonious , for conflict is possible and common . A complete sys- tematization must take the form of such an adjustment as will preserve free play to every impulse , with ...
Pagina 445
... impulses by which we seem to be impelled first one way and then another with too rapid an alternation or too weak a thrust for either impulse to take effect . This condition must be marked off as totally distinct from that which we ...
... impulses by which we seem to be impelled first one way and then another with too rapid an alternation or too weak a thrust for either impulse to take effect . This condition must be marked off as totally distinct from that which we ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York