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Pagina 109
It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential unity into the individual on one side and reality on the other ; a false dichotomy is introduced and what is highly ...
It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential unity into the individual on one side and reality on the other ; a false dichotomy is introduced and what is highly ...
Pagina 336
The term is also applied to the whole activity of an individual or society , as in speaking of a " lifestyle " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly ...
The term is also applied to the whole activity of an individual or society , as in speaking of a " lifestyle " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly ...
Pagina 439
Both science and art , knowledge and beauty , are inde- pendent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ...
Both science and art , knowledge and beauty , are inde- pendent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York