A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 109
... individual soul , separated by the very nature of his individuality from the real of which he is nevertheless a part . It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential ...
... individual soul , separated by the very nature of his individuality from the real of which he is nevertheless a part . It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential ...
Pagina 336
... individual or a group . The term is also applied to the whole activity of an individual or society , as in speaking of a “ life- style " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or ...
... individual or a group . The term is also applied to the whole activity of an individual or society , as in speaking of a “ life- style " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or ...
Pagina 439
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ; that which is knowledge for one is taken to be knowledge for all ...
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ; that which is knowledge for one is taken to be knowledge for all ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York