Dall'interno del libro
Risultati 1-3 di 86
Pagina 68
resistance immediately springs up , and the most individual and the newest
feelings and the cleverest technique not only fail to produce any infection but
actually repel . I have mentioned three conditions of contagion in art , but they
may all be ...
resistance immediately springs up , and the most individual and the newest
feelings and the cleverest technique not only fail to produce any infection but
actually repel . I have mentioned three conditions of contagion in art , but they
may all be ...
Pagina 109
It will be seen that this description in words itself falsifies the problem by the mere
analysis of an essential unity into the individual on one side and reality on the
other ; a false dichotomy is introduced and what is highly flexible in practice is ...
It will be seen that this description in words itself falsifies the problem by the mere
analysis of an essential unity into the individual on one side and reality on the
other ; a false dichotomy is introduced and what is highly flexible in practice is ...
Pagina 333
They supply a spacious frame which can be clothed in the flesh and blood of the
individual form . To be sure , type patterns can be used by percipients as mere
tags of identification and can become the dead ends of devitalized perception ...
They supply a spacious frame which can be clothed in the flesh and blood of the
individual form . To be sure , type patterns can be used by percipients as mere
tags of identification and can become the dead ends of devitalized perception ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York