A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 385
An Anthology Melvin Miller Rader. The primitive instinct of imitation has prevailed in all ages and its history is a history of manual skill without esthetic significance . In the very earliest ages this instinct was quite separate from ...
An Anthology Melvin Miller Rader. The primitive instinct of imitation has prevailed in all ages and its history is a history of manual skill without esthetic significance . In the very earliest ages this instinct was quite separate from ...
Pagina 388
... instinct for the " thing in itself ” is most powerful . The increasing spir- itual domination over the external world and the force of habit signify a dead- ening , a dulling of this instinct . Only after the human spirit , in an ...
... instinct for the " thing in itself ” is most powerful . The increasing spir- itual domination over the external world and the force of habit signify a dead- ening , a dulling of this instinct . Only after the human spirit , in an ...
Pagina 389
... instinct , the innate disposition toward regularity could find abstract expression . . . . These abstract regular ... instinct - the history of the imitative instinct is something else than the history of art - that required the artistic ...
... instinct , the innate disposition toward regularity could find abstract expression . . . . These abstract regular ... instinct - the history of the imitative instinct is something else than the history of art - that required the artistic ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York